Born from the desire to rewrite the lost notes of The Canticle of the Creatures by Francis of Assisi, L’Un contre l’Autre unfolds as a choreo-musical score where dance, singing, live music and the art of drag intertwine.

On stage, four artists weave a dialogue between opposites — sacred and profane, masculine and feminine, human and creature — giving rise to a polymorphic figure: the Creature, a reflection of our inner dualities and our search for unity.